I've just finished a painting inspired by a long walk I did with a friend near Boarshead, in the High Weald border between Kent and East Sussex. Another friend pointed out to me that the painting is off-balance in that there is no blue in it. I was thinking that that wasn't a problem necessarily. I really find myself drawn to that bit of the spectrum these days. And what about Picasso's blue period? The composition is a bit problematic too, but I like things to be off-centre and maybe a bit perplexing to the eye; it can start a few interesting conversations, I believe.